Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60SANTA CRUZ SHAKESPEARE 2016 43 David Morden (Voice Coach, A Midsummer Night’s Dream, Hamlet) See bio on page 40. Rodolfo Ortega (Sound Designer/Composer, A Midsummer Night’s Dream, Hamlet) received his Bachelor’s Degree in Music from the University of Arizona and Master of Music from Manhattan School of Music where he studied piano and composition. He has composed many of the productions at Santa Cruz Shakespeare including recent productions of The Liar, Much Ado About Nothing, and Macbeth. He has composed the music for Denver Center Theater Company’s productions of The Three Musketeers and Romeo and Juliet. For Oregon Shakespeare Festival he composed the music for Tenth Muse. For Aurora Theater Co. he composed the score for their recent production of The Monster Builder, and for Artist Repertory Theater he composed music for their recent productions of Skin of Our Teeth, and The Miracle Worker. He composed five children’s musicals for Northwest Children’s Theater including the musical El Zorrito which was just published by Dramatic Publishing. Collette Pollard (Scenic Designer, A Midsummer Night’s Dream, Hamlet, Orlando) is thrilled to be making her debut at Santa Cruz Shakespeare. Recent regional credits include Great Expectations (Oregon Shakespeare Festival), The Oldest Boy (Marin Theatre Company), A Minister’s Wife (San Jose Repertory Theatre), and Geller Girls, Good People and The Fairytale Lives of Russian Girls (all receiving Suzi Bass Award and Atlanta Fan Award Nominations, Alliance Theatre). Collette resides in Chicago where she recently designed Between Riverside & Crazy (Steppenwolf Theatre), Thaddeus & Slocum, and In the Garden (Jeff Award recipient for Best Scenic Design, Lookingglass Theatre), Arcadia (Writers’ Theatre), One Man Two Guvnors (Court Theatre) and Death & Harry Houdini (The House Theatre Company of Chicago). Collette is a Company Member at House Theatre, and has designed 20 plus productions, including The Hammer Trinity, Death & Harry Houdini, The Nutcracker, Rose & The Rime, and The Sparrow, all which have moved to The Adrienne Arsht Center of Performing Arts Miami. She is an Artistic Associate at Timeline Theatre in Chicago where she received a Joseph Jefferson Award for Best Scenic Design for The Front Page. Collette will be joining UIC as the Associate Professor of Design in the Fall. Collette thanks her family for their endless support. Michael Warren (Textual Consultant; Dramaturg, A Midsummer Night’s Dream) is Professor Emeritus of English Literature at UC Santa Cruz. He served as Textual Consultant to Shakespeare Santa Cruz from its first season in 1982 till its closure in 2013 and as dramaturg for many of its Shakespeare productions. He is continuing in both roles with Santa Cruz Shakespeare. A past president of the Shakespeare Association of America, he has published The Division of the Kingdoms: Shakespeare’s Two Versions of ‘King Lear,’ (co-edited with Gary Taylor), The Complete ‘King Lear’ 1608-1623, and numerous articles on the texts of English drama.